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  1. アジア太平洋研究
  2. 45 (2020)

“The Garb of Fiction” : Edgar Allan Poe's Notes for the Narrative of Arthur Gordon Pym of Nantucket (1838)

https://doi.org/10.15018/00001181
https://doi.org/10.15018/00001181
d402af59-7d20-4719-a7cb-b549182768c8
名前 / ファイル ライセンス アクション
asia-45_3-15.pdf asia-45_3-15.pdf (498.4 KB)
Item type 紀要論文 / Departmental Bulletin Paper(1)
公開日 2021-07-15
タイトル
タイトル “The Garb of Fiction” : Edgar Allan Poe's Notes for the Narrative of Arthur Gordon Pym of Nantucket (1838)
言語 en
言語
言語 eng
資源タイプ
資源タイプ識別子 http://purl.org/coar/resource_type/c_6501
資源タイプ departmental bulletin paper
その他 資源タイプ Article
著者 Watson, Alex

× Watson, Alex

en Watson, Alex

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書誌情報 ja : アジア太平洋研究
en : Review of Asian and Pacific Studies

巻 45, p. 3-15, 発行日 2020-12
出版者
出版者 成蹊大学アジア太平洋研究センター
言語 ja
出版タイプ
出版タイプ VoR
出版タイプResource http://purl.org/coar/version/c_970fb48d4fbd8a85
ISSN
収録物識別子タイプ PISSN
収録物識別子 0913-8439
NCID
収録物識別子タイプ NCID
収録物識別子 AN10006940
アクセス権
アクセス権 open access
アクセス権URI http://purl.org/coar/access_right/c_abf2
ID登録
ID登録 10.15018/00001181
ID登録タイプ JaLC
抄録
内容記述タイプ Abstract
内容記述 In his elusive and eccentric 1838 novel The Narrative of Arthur Gordon Pym of Nantucket, Edgar Allan Poe presents a sensation first-person account of his fictional title-character’s experiences of cannibalism, mutiny and shipwreck as a stowaway on the South Seas. He adds a series of footnotes and an extensive endnote that point out Pym’s factual errors and lack of documentary evidence. In the “Preliminary Notice at the beginning of the novel, Poe has the fictional character Pym admit that the real-life Poe is the author of the earlier sections, even claiming that Poe had them serialized in the periodical The Southern Literary Messenger “under the garb of fiction”.1 In this article, I argue that, in spite of their ostensibly marginal position, the notes Poe creates for Pym help us better to understand Poe’s play with fact and fiction throughout his writing. Poe uses these annotations to achieve an effect of ludic anticlimax, in which the flaws in his plot and characterization accrete so as to disintegrate the narrative the moment before its expected culmination. Poe thereby exploits the footnote’s capacity to bring exuberant reverie into collision with plain information, and to traverse the boundary between fact and fiction, ripping away “the garb of fiction” to reveal the intricacy of his fabrication.
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